All notes with the topic Brody Albert | Notes on Looking

Anisotropic: If The Nuance Looks Moot Its Effects Are Radical, Or: The Sequoia National Forest Is Mind-Blowingly Big and Old and It’s For You To Look At: Chris Adler Interviews Brody Albert

B: There are basically three works that I’m thinking of doing – some happening inside the space and some actually happening outside the space. The first is actually based on this tunnel, which is this tunnel that leads off of the 105 to LAX. Everyone who lives in LA has been through this 100 times. The tunnel has this fascinating thing to me where the sidewalk is really, really skinny, so it forces people, when they’re walking, because of the ongoing traffic, to rub their shoulders and their hips against the wall. C: And those are the drag marks? B: And those are the drag marks. It’s kind of beautiful, so there are these drag marks that go throughout the entire thing. C: Wow, and then- are there marks from vehicles as well, from bang-ups? B: I don’t think so, I think that would do something else entirely. Because that’s soot, right? So it’s just soot getting lightly removed. So that’s it, but there are moments – the internet’s being slow – where people are tagging and writing their names, but for the most part it’s shoulder and hips. And I’ve been going there and pulling over and trying to photograph it, just trying to figure out what’s going on, and I’m super, super fascinated by that. That there’s this drawing, this kind of mural that’s being made by people passing through this area, that’s just forced to happen because of the specifics of the architecture. It’s kind of this strange thing to me, you actually can’t walk this. There’s no sidewalk leading to there. I don’t quite understand...