All notes written by Jenny Yurshansky | Notes on Looking

Mystic Pizza

What does it mean when an artist duo breaks up? Does it make a difference if the partnership was also romantic? What happens to the resulting output? Can the players be substituted? Are the works a result of the action, the history of two bodies, two minds, or two hearts? Marina and Ulay have everyone atwitter again with their pending lawsuit. The now collapsed collaborative has been carved into the canon thanks to a practice where they pushed the other beyond acceptable thresholds. Their time together climaxed with an epic final performance on the greatest wall, face to face with their absolute limit, each other. We all recognize that there is no such thing as a clean break when passions are involved. What leaves uglier scars than the psychic tears in one’s artistic identity after it’s wrenched from being bound up with another’s? Rebuilding takes a whole new set of tools; slapping a prosthesis over the phantom limb of your missing familiar. You have to find another language for concocting your spells, a completely different set of ingredients. How do you fill the void left by the other’s absence? Is that even possible? There are many ways to cram a vacuum, almost all have to do with basic instincts, basic drives. For David Bell and Ashley Jean Harris, the pair behind the pop-up cooking project Fat Jasmine the hole to plug was the stomach, the drive was hunger. The filler for their performative material was pizza and it was through this medium that they worked their creative voodoo. This dish it turns out, is more divisive than its usual...

Searching for Home / Leaving Yourself Behind

Our noses fill with dust. We enter the curvilinear sanctum where this immaterial soil hovers between thousands of individually labored slabs of adobe that fill a perimeter over which our eyes trace, failing to find a point to rest. The thick surface smothers the noises spawned from within, echoes have no place here. It is a space of penetrating sounds that go no farther than the moment they are contained by. S. He makes an altar out of the humble precious material. His body sublimates the space with movement that transcends affiliation. His arms fling beyond code, his back arches, stretching past the limits of his skin. From the top of his roughhewn pedestal he topples another’s sacred idol. P. His body snakes between us. Bound in stockings, a fine mesh is all that protects him from the elements, he becomes part of the dry dirt, inhaling it deeply. It covers the floor in a soft brown layer that filters through and becomes a poultice on his skin. He clings to the walls, audibly popping his delicate casement along the straws and pebbles of the adobe bricks. The walls offer protection as much as they contain us, just as walls do. Just as he anoints them with dots of blood, they reciprocate and anoint him with their matter, both are transubstantiated, two bodies becoming one, stained with the same blood, sweat, tears, and clay. It is a mother, he is an earth. He searches through us for her. Sliding between, swiping us with his unction, making us wholly aware that to step out of his way is to avoid...