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An interview with Asher Hartman in the afterglow of The Silver, the Black, the Wicked Dance performed in the Bing Theater at LACMA on Friday May 13th and Saturday May 14th, 2016.

Asher: Do you want me to get a little table for you? laub: Sure. Ok, good. This formalizes it a little… Let’s see.  I got to see The Silver, the Black, the Wicked Dance twice, which was really fun. Why did you choose that space? Asher: We were looking for different spaces in the museum. When I went into the Bing Theater, it had a particular sensation in it that was attractive to me. It has a kind of energy from all the old performances over the years and film series ongoing at LACMA in the Bing Theatre.  It’s full, that particular space- with a lot of energy and history. laub: What kind of history? Asher: It has a history of great musical and film performances and if you look at the architecture, it’s this beautiful 60’s architecture reminiscent of 1970s film and theatre, which, to my recollection, having been very young at the time, is very psychological, very intense, very character driven, very emotionally driven, and has a somewhat experimental sensibility, and so, immediately you walk into that theatre and you feel it.  People talk about that theatre as being haunted by the feeling of John Cassavetes. I understand that, there’s intensity about the space that I felt really akin too. laub: How important is it that people know about theater to view your work? Asher: I don’t think it’s important at all. Artists don’t seem to have a connection to theater, which I completely understand, because theater- American conservative contemporary theater- is not very interesting to me either. I think the more you know about it, the...