Paul Klee (Switzerland, Munchenbuchsee, 1879 – 1940) In the Kairouan Style, Transposed in a Moderate Way, 1914 Paper; Multi-media, Watercolor and pencil on paper on bristol board, 5 11/16 x 8 7/16 in. (14.5 x 21.5 cm) Partial, fractional and promised gift of Janice and Henri Lazarof (M.2005.70.51) Modern Art Department. Currently on public view: Ahmanson Building Room 210 Image from the Orange County Register article by Richard Chang, dated December 12, 2007, “Couple gives artworks worth more than $100 million to museum,” which is linked.
I visited LACMA last week, and then my mind wandered. Cheers.
Construction for Noble Ladies, 1919 Mixed media/assemblage/collage, Cardboard, wood, metal, and paint, 40 1/2 x 33 in. (102.87 x 83.82 cm) Purchased with funds provided by Mr. and Mrs. Norton Simon, the Junior Arts Council, Mr. and Mrs. Frederick R. Weisman, Mr. and Mrs. Taft Schreiber, Hans de Schulthess, Mr. and Mrs. Edwin Janss, and Mr. and Mrs. Gifford Phillips (M.62.22) Modern Art Department. Currently on public view: Ahmanson Building Room 207
Kurt Schwitters Untitled (Relief with Hourglass Shape), 1939 Painting, Oil and wood, 7 5/16 x 5 13/16 in. (18.5 x 14.7 cm) Partial, fractional and promised gift of Janice and Henri Lazarof (M.2005.70.124) Modern Art Department. Currently on public view: Ahmanson Building Room 210
Our County museum gives up thumbnails only. Hence this sad little guy. I like the specificity of the lengthy text ( :
Handkerchief Lace; Costume/clothing accessory/carried, Gift of Park View Antique Shop, Mrs. J. Lofsky (M.65.61.20a-b) Costume and Textiles Department. Not currently on public view
Jean-Pierre Leclercq, L’effacement des souvenirs, artist website linked
Alberto Giacometti (Switzerland, Bogonovo, 1901 – 1966) Portrait of Isaku Yanaihara, 1956 Painting, Oil on canvas, 32 x 25 1/2 in. (81.28 x 64.77 cm) Partial, fractional and promised gift of Janice and Henri Lazarof (M.2005.70.30) Modern Art Department. Currently on public view: Ahmanson Building Room 212 (This image from Rocor’s Flickr stream, which is linked and which should be checked out. Rocor gathers photographs from every museum – even those who resist such sharing. LACMA source linked below.)
Jean Dubuffet (France, Le Havre, 1901 – 1985) The Effacement of Memories, 1957 Painting, Oil on canvas, 35 x 46 in. (88.9 x 116.8 cm) David E. Bright Bequest (M.67.25.15) Modern Art Department. Currently on public view: Ahmanson Building Room 218 This image from Twitpic, @alnowar (Alnowar Al Khulaifi), which is linked. LACMA link below.
Romantic Actor Rudolph Valentino Beefcake Risque Photo – B-G21-A061 Our Price:$7.99 Absolutely Stunning Archival Quality From A Professional Lab! Quality Assured! Save 40% off our regular price on a Japanese Woman and Leopard Art Print Poster! Designed from a 19th Century Original! laughingravy21.com linked
“récif extinction” (detail) Christian Jaccard, à l’espace d’art contemporain André Malraux de Colmar Image from Pierrepaul43’s Flickr stream, which is linked.
Jean Pierre Pincemin, Sans titre, 1999 Peinture sur papier marouflee sur toile, 121 × 121 cm Galerie Jacques Elbaz, which is linked.
Jean-Pierre Pincemin, Sculpture bois 1988-1989 120 x 120 x140 cm Link to Galerie Jacques Elbaz
Kristen Headlam, (Oscar Wilde Set) What A Wonderful Piece of Luck, printed by John Loane at Viridian Press, available at Chrysalis Gallery, Australia (linked)
Mike Parr, UNTITLED SELF-PORTRAIT, a print from (ALPHABET / HAEMORRHAGE) Black Box of 100 Self-Portrait Etchings, 1, 1992. Printed by John Loane. Photo by Paul Green. Courtesy Viridian Press, Melbourne. Art Asia Pacific Magazine, Issue 62 is linked Decapitations and Protestations—Cut, Burn, Stitch and Draw Mike Parr
Mike Parr, CARTESIAN CORPSE, 2008, photo documentation of an endurance performance by the artist and Anthony Bond, at Tasmanian Museum & Art Gallery, Hobart, 20008. Photo by Paul Green. Courtesy Detached, Hobart. source, link typ.
INTEGRATION 3 (A. LEG SPIRAL), from “Rules and Displacement Activities Part II,” 1975, still from 16mm film. Digital manipulation by Debra Petrovich. typ.
Michael Joo, SALT TRANSFER CYCLE, 1993–95, still from eight-minute video. Photo by and courtesy the artist. ArtsAsiaPacific Magazine again linked. From article titled “Devolution – Michael Joo” current issue I’d suggest clicking through and visiting the archive at AAP. They kind of rock.