Silence, an exhibition at the Menil Collection curated by Toby Kamps (August 13 and 16, 2012)

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(left to right) Christian Marclay, Gold Silence (The Electric Chair) 2006, Silkscreen ink on synthetic polymer paint on canvas 22 x 30 1/4 inches. Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York; Andy Warhol, Big Electric Chair, 1967, Acrylic and silkscreen ink on linen 54 1/4 x 74 inches The Menil Collection, Houston; Christian Marclay, White Rorschach Door (The Electric Chair), 2006, Silkscreen ink on synthetic polymer paint on canvas, diptych, each panel: 93 3/4 x 42 inches. From the collection of Susan Sosnick

(left to right) Christian Marclay, Gold Silence (The Electric Chair) 2006, Silkscreen ink on synthetic polymer paint on canvas 22 x 30 1/4 inches. Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York; Andy Warhol, Big Electric Chair, 1967, Acrylic and silkscreen ink on linen 54 1/4 x 74 inches The Menil Collection, Houston; Christian Marclay, White Rorschach Door (The Electric Chair), 2006, Silkscreen ink on synthetic polymer paint on canvas, diptych, each panel: 93 3/4 x 42 inches. From the collection of Susan Sosnick


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